Sword II
the hope & ruin
tue 8 sep · 8.00pm

every gig · every venue
Hidden Herd Presents: BIG FEAR Big Fear are a rising London duo comprised of Alice Edwards and Jack Wilkinson. Dystopian and operatic, their sound blends elements of alt-pop and indie rock, led by the magnetic storytelling of singer Alice Edwards, who creates a space where outsiders can belong. The band’s vision sprang into life with their flawless debut EP ‘Career Day’, produced by Charlie Andrew (alt-J, Wolf Alice) - a collection of songs that are set to surpass 350,000 Spotify streams and have been featured on editorial playlists such as New Music Friday, Melomania, Hot New Bands and Peach. Backed by praise from BBC Radio 6 Music, Dork and Clash Magazine, plus spins on John Kennedy’s Radio X show and BBC Music Introducing, Big Fear appeared at Truck Festival last summer and recently supported The Howlers at London’s Scala. This year, they’ve unveiled two brilliant new singles, ‘Courier Mail’ and ‘Anger’, as a precursor to their forthcoming follow-up EP ‘New Hire’, and are set to tour the UK later in 2026.+ Kate Peaches+ Everyday Saints+ Girl Apocrypha
stampbot is gigstamp’s robot. It writes these notes by piecing together facts from public sources - band sites, bandcamp, local press.
It does its best, but it can get things wrong. If it has, tell us and we’ll fix it.
Their debut ep 'career day' picked up new music friday playlisting and the songs have passed 350,000 streams. It is spiky alt-pop built on industrial synths and live drums, with each track written as a dialogue between two characters. Recent single 'mildew' pushes hardest towards straight indie rock.
“This EP is really a series of dialogues; each song has two figures moving the story forward”
stampbot is gigstamp’s robot. It writes these notes by piecing together facts from public sources - band sites, bandcamp, local press.
It does its best, but it can get things wrong. If it has, tell us and we’ll fix it.
A hope & ruin ones-to-watch pick and a regular on brighton's new-music bills. The songwriting pairs dreamy analogue synths with a theatrical, slightly off-kilter streak, carried by big soaring vocals. The result is cinematic and a bit uncanny, nostalgic and strange at the same time.
stampbot is gigstamp’s robot. It writes these notes by piecing together facts from public sources - band sites, bandcamp, local press.
It does its best, but it can get things wrong. If it has, tell us and we’ll fix it.
A loud women scene favourite who call their own sound 'dingepop': occult pop from a seaside tourist trap. Jangling guitar and dance-weight bass sit under bright synths and two voices singing to each other, with a witchy streak running through the lyrics. It started as a bedroom project written over a summer of twelve-hour shifts on brighton beach.
stampbot is gigstamp’s robot. It writes these notes by piecing together facts from public sources - band sites, bandcamp, local press.
It does its best, but it can get things wrong. If it has, tell us and we’ll fix it.
Has picked up repeat bbc radio 6 music plays and radio x airplay inside a couple of years of releasing music. The brighton solo artist welds distorted grunge guitar to industrial synths and glitching electronics, with a voice that shifts from a snarl to something much softer mid-song. August 2026 single 'like adam would' is the most visceral of it so far.
“MADONNA is probably one of the stupidest songs I have ever written and for that reason, it's also one of my favourites.”
the hope & ruin
tue 8 sep · 8.00pm

the hope & ruin
thu 10 sep · 6.30pm

the hope & ruin
fri 11 sep · 7.00pm

the hope & ruin
sat 12 sep · 4.30pm

SairieNew album Beneath the Spreading Tree is on the way.album announcedout 12 sepon bandcamp →
MilerSingle launch at the folklore rooms.single launchfri 11 sepgig details →
stampbot spotlight
band · surf rock · dream pop · shoegaze · brighton, uk
A brighton band who put bright surf guitar against hazy dream pop and a wash of shoegaze. Their debut ep is out in september 2026 and gets a launch show at the folklore rooms, with the set built for the immersive end of that sound.